Join the movement to end censorship by Big Tech. StopBitBurning.com needs donations and support.
Nova festival founder exposed as key player in Israeli intelligence’s Gaza genocide campaign
By ljdevon // 2025-04-28
Mastodon
    Parler
     Gab
 Copy
 
While Fox News and the Zionist media machine rage against Irish rappers Kneecap for projecting "F**k Israel – Free Palestine" at Coachella, the co-founder of Israel’s Supernova Music Festival has been exposed as an active collaborator in the Israeli intelligence apparatus orchestrating and promoting the Gaza genocide. Nimrod Arnin, who helped organize the infamous rave attack on October 7, later established an intelligence hub, Cobalt Complex, to assist the IDF in targeting Palestinians — proving that Israel’s "humanitarian" facade is nothing but a murderous lie. Key points:
  • Nova Music Festival co-founder Nimrod Arnin admitted to working with Israeli military intelligence to fuel the Gaza genocide under the guise of "civilian OSINT operations."
  • Fox News and corporate media outrage over "Free Palestine" messages at Coachella distracts from Israel’s systematic slaughter in Gaza.
  • Arnin's intelligence unit, Cobalt Complex, was later absorbed into the Israeli Defense Ministry, directly aiding in targeting Gazans.
  • Nova Exhibition, a propaganda spectacle, whitewashes Israel’s Hannibal Directive massacre while exploiting victim hood.
  • Question: How long will Western governments silence dissent to protect Israel’s war crimes?

Nova’s dark alliance with Israeli Military Intelligence

Nimrod Arnin, co-founder of the Tribe of Nova foundation, presents himself as a heroic figure for his actions on October 7 — allegedly saving over 100 concertgoers by leveraging OSINT (Open-Source Intelligence) and coordinating with Israeli forces. But this sanitized narrative obscures a far more sinister reality: Nova was embedded within Israel’s military-intelligence apparatus long before the Hamas attack. Emerging evidence suggests that the festival’s organizers had prior knowledge of security vulnerabilities, raising disturbing questions about why no meaningful precautions were taken. Arnin’s venture, Cobalt Complex, was explicitly designed to fill an "OSINT gap" for Israeli security forces, later becoming integrated into the IDF’s intelligence directorate under Defense Minister Yoav Gallant — a key architect of Gaza’s genocide. His ties extend deep into Israel’s militarized tech sector, including notorious AI surveillance firms that power the occupation’s most ruthless tactics. The festival’s purported "peace-loving" ethos crumbles under scrutiny, revealing instead a strategic alliance with the very forces butchering Palestinians en masse. Worse, Israeli forces themselves slaughtered numerous Nova attendees in reckless crossfire — a fact omitted from Arnin’s self-aggrandizing accounts. His LinkedIn bravado about "life-saving operations" cynically masks how his intelligence work has enabled the massacre of over 37,000 Palestinians. Whether through deliberate obfuscation or willful blindness, Arnin embodies the grotesque duality of Zionism: performative victimhood paired with unrestrained state violence. How many more will die before the world recognizes that Nova’s "humanitarian" façade conceals a pipeline to genocide?

The Nova exhibition: Propaganda as trauma theater

The Tribe of Nova’s touring exhibition is not a memorial — it is a carefully constructed psyop weaponizing grief to justify ethnic cleansing. Dubbed "Screams of October 7th," the installation deploys immersive techniques—replicas of burned tents, recorded cries of victims, and even bloodied festival wristbands—to evoke visceral horror. But as art critic Emily Colucci observed, this is no act of remembrance: it is "emotional carpet-bombing," designed to short-circuit rationality and generate blind fury. Attendees exit primed to chant, "Nuke Gaza!" — a chilling testament to the exhibition’s effectiveness as Zionist indoctrination. Yet the real obscenity lies in its hypocrisy. While Arnin’s foundation clamors for "healing" and "empathy," its financial and intelligence ties to Israel’s war cabinet expose a far grimmer agenda. The same surveillance technologies developed by Nova’s backers now facilitate the systematic slaughter of Palestinian families in Rafah. Meanwhile, the exhibition’s deliberate invocation of Holocaust imagery does not honor Jewish suffering—it exploits it, equating Palestinian resistance with Nazism to manufacture consent for genocide. This is propaganda in its purest form: trauma commodified, death politicized, and dissent silenced. Western governments, complicit in this charade, criminalize pro-Palestinian voices while platforming Zionist trauma porn. Arnin speaks of "light and darkness" as cosmic forces—but the true collision is between his foundation’s sanctimonious theatrics and the mountain of Palestinian corpses it helps to build. Until this grotesque spectacle is exposed for what it is—a recruitment tool for settler-colonial violence—the cycle of bloodshed will continue. The question is: who profits from our collective blindness? Sources include: TheGrayzone.com FilthyDreams.org TheGrayzone.com
Mastodon
    Parler
     Gab
Copy